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Mario De Brabandere.
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Year: 2000 Publisher: Oosteeklo : Galerie William Wauters,

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De Brabandere.
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Year: 1992 Publisher: Oostende : Galerie Bureaux et Magasins - Les Editions de l'Espoir,

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Mario De Brabandere : recente tekeningen en schilderijen.
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ISBN: 9789081227445 Year: 2010 Publisher: Asse : Galerij De Ziener VZW,

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[mario de brabandere].
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ISBN: 9789082435344 Year: 2018 Publisher: Asse : Galerie De Ziener,

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Tweeluik : Antwerpen - Gent : Jörgen Voordeckers & Chris Straetling, Mario De Brabandere.
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Year: 1997 Publisher: Sint-Amandsberg : Cultureel Comité Sint-Amandsberg,

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Stille schilders : Mario De Brabandere, Ilse d'Hollander, Ignace De Vos, Alex Michiels, Maryam Najd.
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ISBN: 9789076686158 Year: 2003 Publisher: Gent : Caermerklooster Provinciaal Centrum voor Kunst en Cultuur,

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Vier Generaties Schilders. : Eugene Leroy - Roger Raveel - Fred Bervoets - Karel Dierickx - Piet Moerman - Joris Ghekiere - Ronny Delrue - Mario De Brabandere.
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Year: 1997 Publisher: Roeselare, : Stedelijke Academie voor Schone Kunsten,

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Le Peintre Maudit.
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Year: 2007 Publisher: [S.l.] : FW:painting,

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Mario De Brabandere : Works on paper
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ISBN: 9789491262173 9491262173 Year: 2015 Volume: 17 Publisher: Gent Posture editions

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“Does an artist work differently when the medium is drawing, as opposed to oil painting or sculpture? There is of course the difference of technique and, additionally, the time needed to complete a work on paper is often much shorter than for a painting. Paper and pencil are nevertheless always at hand. Several of the drawings in this publication first appeared in sketch- or notebooks, or exercise books. A wide variety of paper is used. It is striking that many of the drawings were done on paper that appears already to have had a previous life. Mario De Brabandere (b. 1963) once bought a mass of paper from a bankrupt printing firm, a stack that would supposedly last him the rest of his life, but he also likes to work on sheets from old cash registers, on wrapping paper and cheap cardboard. These ‘previous lives’ show through in the final result. The works on paper are rarely ‘clean’; they bear traces of the production process: stains, yellowing edges, erased lines, tears and folds. These traces often make the drawings look older than they are, as if they dated from an earlier age. They have the feel of an old print that has to be conserved with great care.”From: ‘Works on paper’ Hans Martens, in: Works on Paper


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Symposium : tien kunstenaars in Hotel Navarra.
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Year: 1992 Publisher: Brugge : Hotel Navarra,

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